(Mus.) Originally, an instrument common among the
Russians, Poles, and Tartars, consisting of a series of strips of
wood or glass graduated in length to the musical scale, resting on
belts of straw, and struck with two small hammers; now any similar
musical instrument composed of a series of bars of graduated
length. Called in Germany strohfiedel, or straw
fiddle. [1913 Webster +PJC]
An instrument to determine the vibrative
properties of different kinds of wood. --Knight. [1913
Webster]
Word Net
xylophone n : a percussion instrument with wooden bars tuned to produce a chromatic scale and with resonators; played with small mallets [syn: marimba]Moby Thesaurus
battery, bells, bones, castanets, celesta, chime, chimes, clappers, crash cymbal, cymbals, finger cymbals, gamelan, glockenspiel, gong, handbells, idiophone, lyra, maraca, marimba, metallophone, orchestral bells, percussion, percussion instrument, percussions, percussive, rattle, rattlebones, sizzler, snappers, tam-tam, tintinnabula, tonitruone, triangle, tubular bells, vibes, vibraphoneEnglish
Pronunciation
- , /ˈzaɪ.lə.ˌfəʊn/
- Hyphenation: xy•lo•phone
Noun
- a musical
instrument made of wooden slats graduated so as to make the
sounds of the scale when struck with a small drumstick-like hammer.
- All I know how to play on my xylophone is "Mary Had a Little Lamb". Would you like to hear it?
Translations
musical instrument
- Arabic: زايلفون
- Czech: xylofon
- Danish: xylofon
- Dutch: xylofoon
- Finnish: ksylofoni
- French: xylophone
- German: Xylophon
- Greek: ξυλόφωνο
- Hebrew: קסילופון
- Hungarian: xilofon
- Italian: xilofono
- Japanese: 木琴
- Korean: 실로폰
- Latin: xylophonium
- Portuguese: xilofone
- Russian: ксилофон
- Slovak: xylofón
- Slovene: ksilofon
- Spanish: xilófono
See also
French
Pronunciation
- /ɡzi.lɔ.fɔn/
Noun
The xylophone is an ancient instrument that
originated independently in Africa and Asia. Wooden bars were
originally seated on a series of hollow gourds, and the gourds
generated the resonating notes that are produced on modern
instruments by metal tubes. For centuries, xylophone makers
struggled with methods of tuning the wooden bars. Old methods
consisted of arranging the bars on tied bundles of straw, and, as
still practiced today, placing the bars adjacent to each other in a
ladder-like layout. Ancient mallets were made of willow wood with
spoon-like bowls on the beaten ends.
Java and Bali use xylophones (called gambang) in gamelan ensembles. Still have
traditional significance in Africa, Malaysia, Melanasia, Center
Valley, Indonesia, and regions of the Americas.
It is likely that the xylophone reached Europe
during the Crusades and the earliest historical reference in Europe
is in 16th Century Germany in organist Arnold Schlick's Spiegel der
Orgelmacher und Organisten. The earliest known model was from the
9th Century in southeast Asia (However, a model of a hanging wood
instrument exists, dated to ca. 2000 BC in China.)
The xylophone, which had been known in Europe
since the Middle Ages, was by the 19th Century associated largely
with the folk music of Eastern Europe, notably Poland and Eastern
Germany. By
1830, the xylophone had been popularized to some extent by a
Russian virtuoso named Michael Josef
Gusikov, who through extensive tours had made the instrument
known. His instrument was the five-row “continental style”
xylophone made of 28 crude wooden bars, arranged in semi-tones in
the form of a trapezoid, and resting on straw supports. It was
sometimes called the “strohfiedel” or “straw fiddle”. There were no
resonators and it was played with spoon shaped sticks. According to
musicologist, Curt Sachs, Gusikov performed in garden concerts,
variety shows, and as a novelty at symphony concerts. Certainly in
the 1830’s a xylophone solo was a novelty. Noted musicians,
including Felix
Mendelssohn, Frederic
Chopin, and Franz Liszt
spoke very highly of Gusikov’s performances. Perhaps due to his
great influence, xylophonists continued to be featured in theater
shows and concert halls until well into the 20th century
The xylophone is a precursor to the vibraphone, which was
developed in the 1920s.
Other forms of "xylophone" include xylophonist,
and xylophoning.
Timeline
2000BC – First xylophone artifacts: Wood harmonicon with 16 suspended wood bars found in China Xylophone-like 'ranat' of Hindi regions. Numerous temple reliefs of musicians playing xylophones support these evidences.1300 – First written account
1500 – First brought to Europe, and then Latino
countries by African slaves between 1500-1700A.D. It evolved in
Central and South America into the marimba.
1511 – First European mention by German composer
Arnolt Schlick; also listed by Praetorius in his catalogue of
musical instruments (a.k.a., Strohfideln, or Hulzen G'lachter, or
Gigelyra, or straw fiddle )
1866, April 7 – The
word xylophone is coined, recorded in the Athenaeum: "A prodigy ...
who does wonderful things with little drumsticks on a machine of
wooden keys, called the 'xylophone.’"
1874 – The first usage of the European-derived
orchestral by Charles Camille Saint-Saens in 'Danse Macabre'.
1910 – 1940 golden age, a favorite in vaudeville
and ragtime. Famous xylophonists of the era include George Cary,
George Hamilton Green, and Harry Breuer. It was displaced in jazz
by the vibraphone.
Construction
The modern western-style xylophone has bars made of rosewood or more commonly, kelon, an extremely durable fiberglass that allows a louder sound at the expense of tone quality. Some xylophones can be as small as 2 1/2 octaves but concert xylophones are typically 3 1/2 or 4 octaves.Concert xylophones have resonators below the bars to
enhance the tone and sustain. Frames are made of wood or cheap
steel tubing; more expensive xylophones feature height adjustment
and more stability in the stand.
In other music cultures, xylophones have wooden bars and a wooden frame.
Some versions have resonators made of gourds.
Western classical models
Western-style xylophones are characterised by a bright, sharp tone and high register. Modern xylophones include resonating tubes below the bars. A xylophone with a range extending downwards into the marimba range is called a xylorimba.Sometimes xylophones are constructed using whale
bones as a base with a halibut backbone mallet.
See also
Notes
xylophone in Belarusian (Tarashkevitsa):
Ксыляфон
xylophone in Bulgarian: Ксилофон
xylophone in Catalan: Xilòfon
xylophone in Czech: Xylofón
xylophone in Danish: Xylofon
xylophone in German: Xylophon
xylophone in Spanish: Xilófono
xylophone in Esperanto: Ksilofono
xylophone in Basque: Xilofono
xylophone in French: Xylophone
xylophone in Western Frisian: Ksylofoan
xylophone in Galician: Xilófono
xylophone in Indonesian: Silofon
xylophone in Italian: Xilofono
xylophone in Hebrew: קסילופון
xylophone in Dutch: Xylofoon
xylophone in Japanese: シロフォン
xylophone in Norwegian: Xylofon
xylophone in Polish: Ksylofon
xylophone in Portuguese: Xilofone
xylophone in Russian: Ксилофон
xylophone in Slovak: Xylofón
xylophone in Serbian: Ксилофон
xylophone in Finnish: Ksylofoni
xylophone in Swedish: Xylofon
xylophone in Thai: ระนาด
xylophone in Turkish: Ksilofon
xylophone in Ukrainian: Ксилофон
xylophone in Chinese: 木琴